His collecting interests soon expanded to include Shaker furniture, American paintings and Asian art. Highlights of the American painting collection include works by Sanford Gifford, Charles Burchfield and George Bellows. Edith Weyerhaeuser encouraged her husband to build a museum to house his growing collection and to share it with others. The artist, Ture Bengtz, friend of the family and the museum’s first director, created an original design for the building under Weyerhaeuser’s direction which was turned over to an architect, Richard Owen Abbott, a fellow teacher of Bengtz's at the School of the Museum of Fine Arts. Weyerhaeuser wanted to honor his heritage with a "monument to wood". Natural light penetrates glass enclosures, which look out on open fields and tall trees. The design of the Bengtz Gallery is leaf-shaped. Both the interior and exterior curves of the building’s distinctive roofline have been compared to the ocean waves at Duxbury’s seaside.
Situated on over thirteen acres of woodland and open fields, the handicapped accessible museum opened in 1971. In addition to a gallery for rotating objects from the permanent collection, and exhibitions spaces that feature painting, sculpture, prints and craft objects created by contemporary artists, the museum houses the Carl A. Weyerhaeuser Reference Library of over 5,000 publications. Located on the grounds is a Japanese tea hut, part of the museum’s Asian collection.
The museum offers a year-round schedule of exhibitions, lectures, concerts, classes, education programs, demonstrations, and tea ceremonies fulfilling the founders’ vision that their family’s many interests be shared with the community as the Weyerhaeuser family envisioned. This unique venue truly offers visitors an inviting place for viewing and learning about art in an intimate and comfortable setting.Volunteers Library Opportunities for Artists